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A Solitary World: Homage to H.G. Wells

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A Stunning Tribute to H.G. Wells via Cinematic Poetry

Why I am working so much?

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“Respect the sanctity of the snow day,” said one of my wise colleagues earlier this year.  As a department chair, I make every effort to remember her advice, but usually not for myself.

Today our university is closed in response to the Titan winter storm, but I’m still working, grading papers, reviewing dissertation drafts, and the trying to get ahead of the loads of administrative work the is required for my job.

I was contemplating all of this when I came upon this article, published today in InsideHigherEd, which does a great job explaining why I’m working instead of enjoying that novel I’ve been dying to read all semester.

In Search of Lost Time
March 3, 2014
As I am writing this article, I should be writing something else: an email to an editor, an email to an author, a letter of recommendation, notes for tomorrow’s classes, comments on students’ papers, comments on manuscripts, an abstract for an upcoming conference, notes for one of the books I’m working on. I cannot remember the last time I ended a day having crossed everything off my to-do list.
Why do academics work so much?

1) Part of it is habit. When we’re just starting out, we learn to say “yes” to everything. Join this panel? Yes. Send article in to special issue? Yes. Write a book review? Yes. Join committee in professional organization? Yes. Indeed, we learn to look for things to say yes to. This is how you build your C.V. Go to conferences, publish, get involved. If you don’t do it, you won’t get that elusive tenure-track job. Then, should you become one of the few who get the job, you’ll need to maintain a level of production in order to get tenure. Should you get tenure, you’ll want one day to get promoted. If that happens, and you reach full professor, well, best to keep publishing … just in case. What if your university falls on hard times? Or you need to move? Tenure is good, but portable tenure is better. So you just get on that treadmill and never get off.

2) Part of it is economics. At my university we have no “cost of living” raises. We have merit raises, but only when the state budget allows. So you always want to be in the top tier — the “Highest Merit” group — just in case there’s money for a raise. And I’m speaking here as one of the lucky, tenured few. For adjuncts, the situation is more dire. Everywhere, they teach more classes and for less money just to make ends meet, and may not even manage to do that. Employed at the whim of the academic labor market, adjuncts are increasingly joining the ranks of the working poor.

3) Busy-ness is also built into the structure of academic work. The more you do and the longer you’re in the profession, the more opportunities and obligations accrue. Writing letters for colleagues and students, getting onto committees, contributing to a book edited by a contributor to the book you edited, giving invited talks, writing grant proposals, and so on.  Some of this work is interesting (I enjoy traveling and giving talks, for example), but it’s still work.

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Inside Higher Ed

Judith Butler Explained with Cats

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Originally posted on BINARYTHIS:

Following hot on the heels of Foucault Explained with Hipsters , here’s JB’s Gender Trouble  explained in Socratic dialogue style. With cats.



All page references from Butler, J. (1990 [2008: 1999]). Gender Trouble: Feminism and the Subversion of Identity. New York; London: Routledge.

Got any more ideas for philosophy/sociology/gender theory you’d like to see explained in comic form? Let me know in the comments below.

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How we spend our days is how we spend our lives: Annie Dillard

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How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing. A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. A schedule is a mock-up of reason and order—willed, faked, and so brought into being; it is a peace and a haven set into the wreck of time; it is a lifeboat on which you find yourself, decades later, still living. Each day is the same, so you remember the series afterward as a blurred and powerful pattern.

The Academic Writing Thing

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I understand Matthew Pratt Guterl’s argument: academic writing should be deep, complex and nuanced. But he misses an important point about critiques of academic writing: it is frequently laden with jargon and faulty sentence structure. To write about complex issues and ideas does not leave academics with the choice of prose that is either indecipherable or suitable for Twitter. This is the main issue that the critics of “academic writing” is not its complexity, but that is is poorly executed.

Originally posted on matthew pratt guterl:


When Nicholas Kristof, the soft-hearted liberal on the New York Times op-ed page, decided that political scientists had given up on writing for a broader public, a digital avalanche of blog posts, letters to the editor, and tweets, followed. The APSA, Corey Robin, Claire Potter, and basically the entire editorial collective of Jacobin took the man to task for, basically, channeling the laziest version of Tom Friedman. Why, Kristof seemed to be asking, casually leafing through the past few issues of the New Yorker, can’t more people write like Jill Lepore? This is a fine question, but – as Robin points out – it isn’t the right question at all, and it probably isn’t an honest question, either.

Now, just as Kristof’s more recent and weak apologia has been begrudgingly accepted, here comes Joshua Rothman, writing in the New Yorker itself, and asking, with an eye on…

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